Paul J. Franklin is the visual effects lead in this movie. With his good relationship with the director Christopher Nolan, Paul was the only person to fit his ideas of Christopher crazy ideas. With his work on Inception, Mission Impossible-Rouge Nation, and the resent Batman trilogy, this movie was right up his alley to be great.
Gernally visual effects artist have a tough time just to guess what the mind of the director is wanting in their film. But with this movie almost the impossible has to be done. The scene that we had picked had never been done in a movie before. Bringing x, y, and z lines, planes, vertical and horizontal lines, pretty much everything you wanted to have it was in one scene. The whole consecpt was to have you see that no matter where you looked there is another demionsion to look at. Everywhere you looked was a different event happening that was strenghed over time. They had to focus on the darkness of space, unnatural events, as well as effects that will seem so normal to us but twist it into something that no one can explain.
With this movie the were over 100 people working on the visual effects. The effects were brought to bring a 4-demionsion space, to keep the eye from focusing on everything and not make it as confusing as shown. The nature was that each box is a different time on Murph and Cooper relations with that one room.
black hole scene
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